Expressive Arts Carnival No. 5: Wall
Welcome to the November 2010 edition of the Expressive Arts Carnival. This month's theme, see announcement, was to "draw a wall using any medium, and show what is on one or both sides."
It is my policy to not comment on art in the Carnival (maybe in the comments if discussions ensue). But I feel as though it is not my place to put words to others' art, especially healing art. Any words after the art is displayed are those of the artists.
Here are the entries in the order they were submitted.
Entry 1: Kylie
Kylie wrote: "This was drawn first in pencil, then with a felt tip pen and then later it was scanned into the computer and the colours were added digitally. The mask is the wall, on one side is us (my alts & I), on the other is the vines, rose & globe which are meant to represent life & the world. As we worked on this submission the same thought kept coming to me: Is it that the mask is keeping the world out (protecting us) or is it keeping us in (a cage), preventing us from living life?"
Entry 2: Ivory
Ivory wrote: "This was not easy. I tried to draw it, but couldn't. My mind had too much imagination that my hand could not articulate. For as long as I can remember, I feel as if everyone knows something I don't know, or they are intelligent in a way that I cannot be. This feeling is what makes me say that it is sometimes more painful to be aware of something than to be ignorant about its existence."
Entry 3: Castorgirl
Castorgirl wrote: "The green and purple are the colours in front of the wall. These are the colours that protect the rest of the system, and the outside world, from the wall and what is behind it. The purple acts as a warning, and the green as a grounding colour. Then there is the black wall. This wall must be strong and impervious. The bright red, or anger, is the first thing bashing against the wall, then the shame of blue; before the black emptiness of the unknown. Each of the colours is separated by mini black walls, to try and keep layers upon layers of protection occurring."
Entry 4: Splinteredones
Splinteredones wrote: "This piece was a self-portrait i did many years ago, when all I could see were the walls around me. They kept me from flying completely apart."
Entry 5: Paul
This was from a post here in May 2010, where I wrote: "the directive was to draw our relationship to treatment. As you can see from the image above, I felt quite split about that question. On one side, I felt as through there was this sense of blending of colors and views, held within a container of grounding brown. But on the other, there was pure black chaos. The two sides felt completely separated by a wall."
Entry 6: Kerro
Kerro wrote: "I can see that now, which is why I've shown my image as a window. The bricks in my wall have largely come down, but I'm still looking out on life, or some aspects of life, that are still out of reach, even if the 'decor' on my side of the window is nicer now."
Entry 7: Sanity is Knocking
Sanity is Knocking wrote: "I think this project has been liberating in that I've tried to address both sides of me, but challenging as I still don't know where that middle ground is. I still see things in colour or black and white, for the most part."
Entry 8: Katie
Despite her initial reservations about the prompt, Katie wrote: "I realized that I don't have to create an image of a wall that serves as a barrier. I can show a wall how it now feels to me. An old crumbling wall that no longer keeps things out. Because there is more to my life now than feeling that way."
Entry 9: OneSurvivor
OneSurvivor wrote: "At first glance, it appears that G-d is only on the other side of the wall and breaking through to me. However, He is actually on both sides of the wall... as evidenced by the signs on this side that He placed there. So, He is with me on this side. However, the wall of abuse blocks me from seeing Him fully... from experiencing Him fully. That is why He is bringing that wall down. That is why He is healing me.
Entry 10: Clinically Clueless
Clinically Clueless wrote: "This image represents the wall that I have of the defenses that hide the reality that I do not want to see or feel. The wall has open spaces that allow things to flow back and forth which I am in the process of doing... exposing and accepting reality instead of hiding it behind my defenses. I actually do know reality, but I won't, at times, allow myself to see it."
Entry 11: Jahda
Jahda wrote: "The title of this piece is 'Invisible Wall.' On one side of the invisible wall are the Many Mindstreams that continually obscure and distort my vision. On the other side is the Mind of Clear Light."
That's all folks! Thanks to all those who contributed. We had 11 entries (a tie for the most ever)! Thank you everyone! If you think this Carnival is worthwhile, then let others know about it and we can continue to increase the contributors for future months.
A heads up: Next month's theme will be "open", so any survivor art is fair game! If you have been on the fence about participating, next month would be a good time to jump in.
Also, I have a private mailing list for the Carnival. If you want to be on it, drop me an email to: paul@mindparts.org.
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Wow, everyone's art is so amazing, and really fascinating to see how everyone interpreted the project. So many of these pieces really spoke to me strongly - I could really relate to them.
In some ways seeing my art up here is even harder than the process itself. I am not sure why that is.
There were a few pictures that filled me with a sense of hope, particularly Kerro's & Katie's. Thank you.
Splinteredones: Your piece made me want to cry (that isn't a bad thing) it just. I hadn't consider it that way but reading it really hit home very strongly.
Thank you everyone for sharing!!
ps sorry if my wording isn't very clear - we are feeling a bit scattered today and very tired - makes it hard to focus.
Kylie, I am so glad you were brave and participated AND that you were the first to submit your art! Art has really helped me in my healing. I take it very seriously and think it's under-appreciated in terms of healing from child sex abuse. I hope you participate next month!!!
I agree! I loved the similarity and the diversity. Absolutely great!
Wow - these are amazing. At some point I may feel I can do something with art, but for now I can observe. The feelings are moving.
OneLongJourney, Thank you for commenting! Hopefully someday soon you will be able to participate too! We will be here!!!
Thanks to all the artists for courageously sharing their work. Like Kylie I find the various interpretations fascinating.
Thank you, Paul, for publishing these.
Yes, Holly, this is definitely all about the artists who participate. My putting it together is easy.
Paul - I will definitely continue participating - I think this is such a wonderful project and it feels really meaningful to be part of it.
Art has been a big part of my life always, much like music seems for you - however when I hit a very bad time a couple of years ago I stopped painting, drawing etc. I am only just getting back into it.
I think the reason I was first was I wasn't aware of the extension until after I sent my piece to you - also I didn't have the distraction of Thanksgiving - I live in Australia.
I think I have said this before but I want to say it again - this is a wonderful thing you are doing, thank you.
So glad you will continue Kylie. You have so much to contribute. Do you do art for healing? Or art for fun? Or both? I sometimes do some formal art therapy with my therapist and find it really helpful.
I have never done any formal art therapy - outside of hospitals I don't think there are any art therapists - at least not outside any of the cities - and I am a fair way out.
My psychologist however encourages me to do healing art. Sometimes she gives me projects but more often she just wants me or my little ones to draw/paint what we feel. My T is trying to get us to use art as a way of connecting to our emotions - to work through them in a healthy manner. Mostly it means picking up what ever medium I feel like and just let whatever comes out just flow out - not think about what we are doing - I struggle with that.
However this is more a new thing since I started drawing again. My T tried to get us to do art before now but we weren't in the right place. In the past and even now I do art for fun - sort of - I don't find it fun in a sense more peaceful. When I paint for no other reason than I want to (not for healing) I get a great sense of calm - I get so wrapped in what I am doing - I just go to another place - but its different from dissociating.
Unfortunately I rarely get into the right mindset to do art like that these days - but I am trying to get back there.
hi paul and everyone else who contributed this time~ wow, these are great! i am so glad i was motivated and inspired, thanks to castorgirl~ what a great project and i really got a lot out of each of the above pieces and descriptions.
thanks again for hosting this carnival, paul~ it's a wonderful thing.
i put up a link to this carnival and talked a bit more about my reactions to it on my blog today, hoping to spread the word about the carnival.
wishing everyone well~
Katie. It's always nice that you join the Carnival! Thanks for the link. I'll see if the new Trackback feature works.
It's always so interesting to see how each person has interpreted the topic.
Ivory, your statement about it "sometimes [being] more painful to be aware of something than to be ignorant about its existence" is so true. But then, the pain of learning and breaking down that wall is worth it - I hope.
Clinically Clueless, there's so much pain in your art; but your description is one where you show healing through being able to see both sides and allow the flow of feelings and experiences.
Jadha, I wonder if the invisible walls are the hardest to work with? Amazing piece, thank you for sharing it with us.
Thank you Paul for putting this together.
Take care,
CG
Thank you Castorgirl. I like that the Carnivals seem to capture, if one were to take a virtual snapshot, a range of where everyone is at. Yes, there is pain. Yes, there is hope. Yes, there is joy. It's all here. And that's why I like doing it so much! Thank you for thanking me for putting it together, but I thank everyone for contributing. Without you all, the collective "voice through art" would not be there. That's what I think this Carnival is all about. Thank you all.
These are all absolutely amazing! - each so unique and yet at the same time having a common denominator with the others. It's fascinating to look at and analyze them as a group as well as individually. As I was driving home today I didn’t even realize I was pondering these, but suddenly it I found myself thinking,
Hmm, it seems like if you look past the details, the theme is pretty much consistent in just about all of the pieces.
On one side of the "wall" (however it's depicted) is the negative stuff we are trying to overcome, and on the other side is the positive we aspire towards. What's also intriguing is the placement of these relative to the wall.
It seems that in most of the ones that divide things right/left, that the "negative" is on the right and the positive on the left. I wonder how that correlates with the right and left sides of the brain? (Any neuroscientists lurking about?)
I hurried home to logon and check my hypothesis. Seems I had forgotten about the pieces that divide things laterally or up and down. In those it seems like there is less of a pattern. Some seem to place the negative in the background the positive in the foreground and others just the opposite. Sooo intriguing! Splinteredones’ seems to break all of these patterns but maybe because it shows multiple walls in a more generalized way? If we zoomed in on one of those walls I wonder which placement pattern it would follow (if any?)
But location aside, (we’ll leave that for the neuroscientists) I was really struck by this underlying similarity that we are all really saying the same thing, observing the same phenomenon in our minds...?
@CG – yeah invisible walls are like trying to reach out and grab a handful of air - it just keeps slipping through your fingers…
Gosh, these are fantastic and so full of emotion.
Wow! What an awesome collection! I love how each one has a different take on things and yet there is a common theme about it. There are some very creative people contributing here.
Thank you OneSurvivor for your comment and your contributions!
Paul...due to rearranging my art pieces into date order, I had to change the link to my piece. It is now: http://asurvivorshealingart.wordpress.com/2010/08/21/2040-desconstruction-zone-november-5-2007/
Sorry.
Thanks! I fixed the links!